Dennis D. McDonald (ddmcd@ddmcd.com)consults from Alexandria Virginia. His services include writing & research, proposal development, and project management.
Ari Folman’s THE CONGRESS is a feast for the eye and the imagination. On it I hereby bestow my coveted ONE OF A KIND tag though I must admit that some of the other films in that category seem now to pale in comparison with Folman’s masterpiece.
Tatsumi is an adult animated film about the life and short stories of Yoshihiro Tatsumi who is often credited with starting a movement in Japan to publish adult-themed manga comics.
Edit herself is an interesting mix of naïveté, intelligence, raw energy, and stubbornness. Why she hangs out with the losers she does is never fully explained but, taken together, they make up a very entertaining ride that has some of the most interesting technology animation this side of WALL•E.
I enjoyed this movie immensely. Visually inventive in ways I could never imagine on my own, the characters and story are involving and potentially more sophisticated than might be appreciated by very young children.
This is Miyazaki’s first feature films. It portends a lot of what’s to come in his career: dizzying action, vibrant color, clever stories, strong females, and humor.
I thoroughly enjoyed this film. The characters are engaging, the story is clever, and the animation is absolutely positively gorgeous, at times almost breathtaking in its use of glowing color.
I was transfixed by this animated film, not because of the story — a traditional mix of family-oriented fantasy quest elements — but because of the astonishing artistic imagination on display throughout the film.
My biggest complaint about this feature length “adult” cartoon is not about gratuitous sex and violence — that’s Rob Zombie’s whole point — it’s one very simple but unmistakable fact:
This is some of Miyazaki’s best work. It’s enchanting, touching, sentimental, funny, and occasionally, simply astonishing. Miyazaki has a gift for capturing the honesty and wonder of childhood yet he does so without sugarcoating or pandering.
I was mesmerized and entertained by this animated film. Paley intertwines the classic Ramayana with a modern love story, old blues songs, and lively comments on Indian culture by talking shadow puppets.
This movie has plot holes galore, the graphic concepts and technologies are derivative, and the characters are oddly un-engaging. Still, it moves along at a very fast clip, the story itself is unusual, and some of the action sequences are spectacular.
This is a very funny and beautifully prouduced piece of whimsy. The characters are interesting, the story is clever, the dialog is witty, and the voice performances are superb.