This film breathes life (of sorts) into the post-apocalyptic-road-warrior genre. Denzel Washington is one seriously cool dude as he slashes his way West on foot through a blasted landscape with his secret personal cargo.
All in War
Joss Whedon's “SERENITY”
The elements are familiar: Han Solo-style wisecracking captain-with-a-heart-of-gold, rag-tag crew, gorgeous babe good at swordplay and kick-boxing, evil empire, space armadas battling at close quarters, and — I kid you not — flesh-eating outer space zombies.
Quentin Tarentino's INGLOURIOUS BASTERDS
This is some movie. It’s scary, emotionally draining, funny, exciting, tense, thoughtful, violent, whimsical, cruel, and in a few places, just plain weird.
McG's TERMINATOR SALVATION
This is a worthy continuation of the Terminator franchise. There’s enough new stuff here to keep your attention, the action is spectacular, and the characters are sufficiently differentiated to create some dramatic tension despite being frequently out-staged by the savage action sequences.
Mamoru Oshii's “THE SKY CRAWLERS”
Wonderfully animated, this moody anime adventure combines elements of 1984 (perpetual warfare), Blade Runner (androids with fuzzy memories), Royal Space Force: The Wings of Honneamise (alternate history and retro-futuristic aircraft), and Dark City (constant recycling of character experiences and events).
J.J. Abrams' STAR TREK
I wasn’t a big fan of the original Star Trek TV series, but I did enjoy the movies and subsequent TV shows. Having a new Star Trek movie that reinvents original series and charcater premises is a welcome event, escpcially when you see and hear the results on a huge IMAX screen, which I just did.
There’s enough creativity, truth, history, drama, and excitement here for three movies.
Peter Jackson's LORD OF THE RINGS: RETURN OF THE KING
Many of the scenes in the Theatrical Return beg for more exposition. I don’t know if that’s because the story has been too highly compressed, or if I’m just aware that an Extended Edition is due out in a couple of months. Probably a bit of both.
George Lucas' THE PHANTOM MENACE
When I first saw this movie in the theater I was bored. My reaction is much more positive with this 2-DVD set.
Zhang Yimou's CURSE OF THE GOLDEN FLOWER
Garish, melodramatic, architectonic, fantastic. Ultimately boring.
Jean-Jacques Annaud's “ENEMY AT THE GATES”
The cast if this WWII movie is uniformly excellent; the direction balanced, detailed, and sensitive; the photography and lighting are superb; and the set designs, stunts, special effects and general environment seem real and immediate.
Makoto Shinkai's “THE PLACE PROMISED IN OUR EARLY DAYS”
The creator of Voices of a Distant Star returns to adolescence but with a serious twist.
Makoto Shinkai's “VOICES OF A DISTANT STAR”
It is a fantastic achievement. The art work is better than most of what you see on ADULT SWIM (by a very wide margin), the design of the spaceships and alien vessels is beautiful, the combination of simulation and electronic display inside the power suits looks quite original, and the story, while short at 28 minutes, packs an astonishing amount of information and story elements in while not swerving from the relentless focus on these two emotional lovers, communicating (one way) over a gulf of light years.
This non-political story about a young terrorist-in-training takes place in a series of backwoods training camps in India, culminating in the travel and preparation of a young teenage female to blow up herself, and a target official selected by her mentors, in a crowded public place.
Guillermo del Toro's PAN'S LABYRINTH
Young Ofelia travels with her pregnant mother in 1944 Spain to live with her new stepfather. He is a brutal fascist military officer in charge of a rural army garrison that is hunting down and exterminating resistance fighters.
Michael Curtiz' CAPTAINS OF THE CLOUDS
This 1942 Technicolor film starring James Cagney has some of the most gorgeous aerial photography I’ve ever seen.
Tony Bill's FLYBOYS
I love airplane movies, but Flyboys is just plain awful.