Dennis D. McDonald (ddmcd@ddmcd.com)consults from Alexandria Virginia. His services include writing & research, proposal development, and project management.
Oddly enough, as much as this show twists history, I think you will appreciate it even more if you do know the details of the events that are being twisted.
Seeing INK reminded me of my guardian angel days as it explores the conflict between good and evil and the shadowy netherworld of dreams, nightmares, and overlapping timelines.
The ending is convoluted and prolonged — does the world really need another giant robot fight? — but Tomorrowland is different and definitely worth reviewing, if only for the amazing sets, visuals, and ideas.
This is definitely a movie to see in the big screen. It’s not just the detail, it’s the vast scope of the landscapes presented — keeping in mind that all of this is supposed to be taking place inside the head of an 11-year-old girl!
Speaking of stunts, it is interesting to compare what’s on display here with a Buster Keaton movie like The General which was released on February 5, 1927. That movie involved an extended locomotive chase along with amazing stunt work that still make one’s jaw drop.
I wonder what Keaton would think about this movie?
While there’s a lot here that’s “true to the Bible,” the movie also make sense as a fantasy set in a time and place far far away. We can’t help but wonder about the morality of such a world where the vices of humans are met not with forgiveness but with genocide on a planetary scale.
Out of this genocide emerges a new and greener world.
Ari Folman’s THE CONGRESS is a feast for the eye and the imagination. On it I hereby bestow my coveted ONE OF A KIND tag though I must admit that some of the other films in that category seem now to pale in comparison with Folman’s masterpiece.