Dennis D. McDonald (ddmcd@ddmcd.com)consults from Alexandria Virginia. His services include writing & research, proposal development, and project management.
What propels the story along are the twin realities that (a) this story is true and (b) Japanese prison camp conditions really were this horrific. Jolie’s almost documentary approach lets these things speak for themselves. You can’t help but be moved by the results. I certainly was.
What Spielberg seems to be saying is that we must not let the very real fears and dangers of the time make us forget who we are and the freedoms we hold dear.
While there’s a lot here that’s “true to the Bible,” the movie also make sense as a fantasy set in a time and place far far away. We can’t help but wonder about the morality of such a world where the vices of humans are met not with forgiveness but with genocide on a planetary scale.
Out of this genocide emerges a new and greener world.
My first reaction, walking out of the theater after the credits, was to ask my wife, “How is it possible that the same guy who directed a terrifying movie like War of the Worlds could then go on to do something like LIncoln?”
Back in my early days of reviewing films when my kids were growing up and still at home I created a special category called “Young People” where I placed movies that didn’t treat cinema kids like idiots or totally obsessed with sex and fart jokes.
Readers of my book and movie review will know about my occasional hankering for a Western. It’s no surprise I was looking forward to this movie especially given my positive reaction to my recent discovery of the novel.
Swords, grit, shields, alien lands, culture clashes, honor, heroism, and a cruel empire. Mix wisely with colorful photography, human scale action, crisp editing, and intelligent dialog, and you have THE EAGLE.