Next time someone says, “Yeah, Avatar was great, but the story sucked,” suggest this film instead. The story doesn’t suck.
All in Animated
Wes Anderson's THE FANTASTIC MR. FOX
This is a very funny and beautifully prouduced piece of whimsy. The characters are interesting, the story is clever, the dialog is witty, and the voice performances are superb.
Mamoru Hosoda's “THE GIRL WHO LEAPT THROUGH TIME”
At first I thought, “Uh-oh, this is another one of those interminable animes about Japanese high school kids dealing with adolescent angst.” Boy, was I wrong.
Don’t be misled. This is one scary movie.
This animated tale about a young girl growing up in Iran during and after the Revolution as personal freedoms are inexorably removed is simultaneously touching and difficult to watch.
Chuck Patton's DEAD SPACE: DOWNFALL
This horror/sci-fi adventure is a prequel to the DEAD SPACE video game.
Peter Docter's UP
I’ve seen this movie twice so far. I’d like to see it again in the theater before it leaves. Why? I just enjoyed it so much. It’s funny, touching, exciting, screwball, warm, lovely, and just plain entertaining.
Keiichi Sugiyama's ORIGIN: SPIRITS OF THE PAST
The visuals and artwork are impressive but the characters and story are a letdown.
Mamoru Oshii's “THE SKY CRAWLERS”
Wonderfully animated, this moody anime adventure combines elements of 1984 (perpetual warfare), Blade Runner (androids with fuzzy memories), Royal Space Force: The Wings of Honneamise (alternate history and retro-futuristic aircraft), and Dark City (constant recycling of character experiences and events).
Lilo & Stitch
This movie is one of the sweetest movies I’ve seen in years. And I mean that as a sincere compliment.
Final Fantasy: The Spirits Within
Watching this movie I was struck by the similarities and differences with The Phantom Menace. Both make heavy use of computer animation, both were based on characters or situations already popular from previous media incarnations, and both dealt with grand issues like Good versus Evil.
Andrew Stanton's WALL•E
My first reaction to seeing Pixar’s WALL•E was “This is better than Coruscant!”
Disney's “THE BLACK CAULDRON”
A classic this isn’t, but for the fan of animation, it’s a must.
Kevin Lima's ENCHANTED
If you need something pleasant and friendly, you need look no further than Enchanted.
Brad Bird's RATATOUILLE
Number One Daughter was home for the weekend from college. We packed ourself into the family chariot and located the one theater in the Northern Virginia area that was still showing Ratatouille ($3 per ticket - cash only).
Makoto Shinkai's “THE PLACE PROMISED IN OUR EARLY DAYS”
The creator of Voices of a Distant Star returns to adolescence but with a serious twist.
Makoto Shinkai's “VOICES OF A DISTANT STAR”
It is a fantastic achievement. The art work is better than most of what you see on ADULT SWIM (by a very wide margin), the design of the spaceships and alien vessels is beautiful, the combination of simulation and electronic display inside the power suits looks quite original, and the story, while short at 28 minutes, packs an astonishing amount of information and story elements in while not swerving from the relentless focus on these two emotional lovers, communicating (one way) over a gulf of light years.
Satoshi Kon’s “PAPRIKA”
As we walked out of the theater after seeing Satoshi Kon’s Paprika, I told Number One Son, “Now I know it’s possible to really film a Philip K. Dick novel!”
Satoshi Kon's “PERFECT BLUE”
Why is this psychological terror/murder mystery/serial killer story a cartoon?
Satoshi Kon’s MILLENNIUM ACTRESS
One of the most mature, evocative, creative, and melodramatic movies I’ve seen all year is an animated film, directed by the same director (Satoshi Kon) as the realistic yet disappointing (to me) potboiler Perfect Blue and of the excellent Tokyo Godfathers.